GSET Paper 2 Unofficial Answer Key 2024 (Available): All sets PDF download
For Paper 2, the direct link to download the unofficial GSET Answer Key 2024 will be shared here. Access the direct link and learn more details related to the same.
GSET Paper 2 Unofficial Answer Key 2024: The Maharaja Sayajirao University of Baroda, Vadodara has conducted the GSET 2024 exam on December 1, 2024. Here, the candidates can find out the GSET Paper 2 unofficial answer key 2024 for all the sets here. Candidates who have appeared for the GSET 2024 exam, should check out the set-wise correct answers for Paper 2 here and calculate their tentative obtainable scores. So that the candidates can evaluate their performance before releasing the GSET official answer key for the papers.
GSET Paper 2 Unofficial Answer Key 2024
Here the candidates can check out the GSET Paper 2 unofficial answer key 2024 for English-Paper 12 questions:
Question Numbers | Answers |
1. | D. The Solar Gypsy |
2. | B. Emily Dickinson |
3. | A. Wilfred Owen |
4. | B. Ted Hughes |
5. | B. The Love Song of J. Alfred Prufrock |
6. | B. John Keats |
7. | D. My Last Duchess |
8. | D. John Keats |
9. | A. Kamala Das |
10. | 103 verses (Incorrect options provided) |
11. | C. Horatio |
12. | D. Barabas |
13. | B. Rebirth and renewal |
14. | C. Lady Wishfort |
15. | A. A heroic tragedy |
16. | A. Sir Peter Teazle |
17. | B. Critique Social Norms |
18. | C. A Comedy of Menace |
19. | D. A capitalist social structure |
20. | B. The McCarthy Trials |
21. | A. Humphry House |
22. | B. The Tempest |
23. | B. The Battle of the Books |
24. | B. Picaresque mode |
25. | A. Jane Austen |
26. | D. Walter Pater |
27. | D. The Nigger of the Narcissus |
28. | A. The Rainbow |
29. | B. The Golden Notebook |
30. | B. Edward Bulwer-Lytton |
31. | C. Saints |
32. | A. Patrick French |
33. | C. Fable |
34. | B. 17th Century |
35. | C. Five |
36. | B. Dialogue mode |
37. | C. Joseph Anton |
38. | A. Ralph Emerson |
39. | B. English People |
40. | C. Thomas Sprat |
41. | A. Calcutta |
42. | B. Sarojini Naidu |
43. | A. Bina Agarwal |
44. | D. Mahesh Dattani |
45. | A. K.K. Daruwala |
46. | B. In Transit by Venu Chitale |
47. | B. Anita Desai |
48. | A. Sharankumar Limbale |
49. | B. Urmila Pawar |
50. | A. Panini |
51. | C. The ability to communicate about things not present in time and space |
52. | B. Influence the behaviour of others |
| 53. | A. The Sound or image used to convey meaning |
| 54. | C. Imitation, reinforcement and habit formation |
| 55. | A. It does not account for the innate ability to form complex utterances |
| 56. | B. How children acquire their native language without direct teaching |
| 57. | B. Cognitive development |
| 58. | D. The ability to speak two languages fluently |
| 59. | D. The innate structures governing language use |
| 60. | C. The listener's reaction to a command |
| 61. | A. Cicero |
| 62. | D. Stuart Hall |
| 63. | C. Marxism |
| 64. | B. Homi Bhabha |
| 65. | A. The Birmingham School |
| 66. | B. Richard Higgart |
| 67. | C. Dennis Dworkin |
| 68. | D. Doing Cultural Studies: The Story of the Sony Walkman |
| 69. | B. "An Interview with Paul Willis" |
| 70. | B. Cultural Practices that resist dominant ideologies |
| 71. | B. Twice removed from reality |
| 72. | A. Plot |
| 73. | C. Entertain and instruct simultaneously |
| 74. | B. Samuel Daniel |
| 75. | A. Samuel Johnson |
| 76. | B. S.T. Coleridge |
| 77. | C. The reinforcement of power structure through discipline by prisons |
| 78. | D. Neander |
| 79. | B. An objective evaluation of literature |
| 80. | D. Jacques Derrida |
| 81. | C. Cleanth Brooks |
| 82. | A. Lennard J. Davis |
| 83. | A. Oscar Wilde |
| 84. | D. Alamkara |
| 85. | A. Noam Chomsky |
| 86. | B. Carl Yung |
| 87. | A. The peculiar organization of our impulses in a manner that hermonizes them |
| 88. | A. Biocentrism |
| 89. | C. Hayden White |
| 90. | C. Vandana Shiva |
| 91. | B. A focused inquiry that facilitates deep textual and theoretical analysis |
| 92. | D. A provisional statement subject to critical scrutiny and analysis |
| 93. | A. Its originality as the subject of analysis |
| 94. | B. Close reading and interpretation of language, themes and structure |
| 95. | C. Examines texts across different literary traditions, periods or authors |
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